Which DVI cable you choose depends on whether you want to connect digital signals, analogue signals, or both. Find out more...
Regular Jigsaw customer FX Rentals has announced a new type of recording facility, YourSpace.
Presentations by Prism and Apple audio experts; advice from genuine stalwarts of music production; goody bags and prizes. It can only be the Mic to Monitor tour!
The new DSP unit from TC Electronic boasts incredible audio processing along with some very desirable plug-ins.
Find out why Grange Farm Studio chose Jigsaw to supply equipment to their new studio.
Fed up with running out of CPU headroom when producing tracks? Improve your processing power with Universal Audio's UAD-2 DSP cards.
'A well-stocked studio right out of the box'? We'll be the judge of that! Our verdict lies within...
The Fireface 800 digital audio interface from RME has blown us away - read on to find out why!
Since Jeff Han unveiled his multi-touch table at the TED conference in California in 2006, multi-touch interfaces have been steadily creeping towards the realm of general users. But what will be their impact on the creative industries?
Alex Judd reviews Reason 4 from synths and samplers right through to a new groove handling mixer and orchestral sound library, this package offers great versatility!
We take a look Sony's new camcorder, HVR-Z5 & how it compares to Sony's previous offerings.
For anyone working with multi-channel, high definition or digital audio in general, MADI technology represents a significant step forward. Find out more...
Andy reviews the new MC Control & MC Mix from Euphonix who make luxury affordable with these new controllers for Music, Audio post, Video & Film.
CS4 - What's new for editors, compositors and motion graphic artists...
Things are changing in the broadcast world, so why haven't we gone tapeless yet?
What started in weather reports has become a staple part of any studio - and thankfully I don’t mean that joker on the big floating map!
Apogee’s Symphony PCIe recording system raises the bar for high-end recording, offering up to 192 channels of I/O all the way up to 192khz.
Alex takes a look at M-Audio's Connectiv & Torq DJ Software
The final installment of the history of analogue broadcast video recorders, looking at their progress & development over time.
We take a look at Pro Tools & Logic Pro Studio & explain how it all started...
Thinking inside the box...
The differences between buying cheap cabling & premium cabling explained.
Jigsaw's AV & broadcast expert, Graham Barnett, looks at the history of the Analogue Broadcast Video Recorder. This is the second part of the series exploring the A, B & C formats.
Part I of our three- part journey through the History of the Analogue Broadcast Video Recorder. Our expert AV and broadcast enthusiast Graham Barnett examines the Ampex Quadruplex recorders and their evolution through the second half of the 20th Century.
One of our consultants gives a quick guide to Time Code - what it is, what it's for and how it is used.
Welcome to Heaven…well Digital Heaven that is. If you’re using Final Cut Pro or Apple Motion make your editing workflow easier with these thoughtful plug-ins from Digital Heaven.
WIESBADEN, Germany — 5 March 2008 — Reuters, the global information company, has adopted Panasonic's P2 as the acquisition format for its global network of news bureaux.
This is the first T.C. Electronic audio interface I have used, and I have to say I have grown cynical over the last few years with so many manufacturers releasing every conceivable permutation of audio interfaces in an already overpopulated market.
I've been a big fan of Sonnet's external storage for a while now as their Fusion RAID range is great step up from large external drives for both small and large businesses.
Graham talks technical with RS Control Standards.
The JL Cooper Eclipse CX colour control surface is a fully integrated colour grading command station for use with advanced editing and video colour correction software.
For a long, long time video was considered the poor cousin of film – be it 8mm, 16mm or 35mm, the look of film was achievable only with the real thing.
Traditionally we've been used to CRT monitors as the de facto grading standard - Grade 1 being the most popular choice for the broadcast market.
Having been described as the ‘holy grail’ of helmet cams we were not disinterested when new V.I.O. POV 1 point-of-view camera arrived at Jigsaw.
The AG-HSC1 E was billed as Panasonic's first Professional level AVCHD camera.
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