With digital workflows becoming the norm and increasing frame rates
and resolutions pushing up the size (and number) of files your
production team has to deal with, the role of the DIT (Digital
Intermediate Technician) is more crucial than ever. Luckily, there
are an increasing number of tools at your disposal, capable of
handling everything from automatically logging shot metadata so
that it can be taken through to dailies, approvals and editing, to
on-set pre-vis, colour grading and LTO backup.
The workflow
DIT stations are increasingly blurring the lines between production
and post, and the functionality they offer now goes far beyond
simply keeping the insurers happy. You can now perform operations
such as grading, auto-transcoding and delivering key content
wirelessly to mobile devices. There's even the potential to link
your DIT station to a post facility's SAN over the internet,
meaning instant access for your post team or even clients.
The hardware
DIT stations can be built around anything from a notebook computer
to a bespoke mobile rack. The advent of Thunderbolt and the
increasing capabilities of mobile solutions means that you can now
get the requisite power and throughput from
the latest MacBook
Pros. You'll need to work exclusively on OS X to maintain that
10Gbps data transfer rate, but this setup's power to form factor
ratio is hard to beat. That Thunderbolt port opens up the chance to
daisy chain up to six devices including hi-res displays and high
performance drives. You'll struggle to find that level of speed and
power combined with the flexibility of a notebook anywhere so it's
a really good hub for your DIT station.
It's also a good idea to invest in a decent card reader (the
Sonnet Qio is a safe bet if you're working with multiple formats;
Sony's XDS media readers are great if you have multiple users
feeding in XDCAM footage at the same time). It's also worth picking
up a UPS (Uninterruptible Power Supply) for added assurance and to
smooth out any irregularities in power on set, and of course, some
local storage - although your exact requirements are going to vary
from project to project, you'll generally need more than you
anticipate. Your best bet is to work out a flexible setup that can
change as your requirements do, adding preview monitors, read and
write support for different formats, LTO drives, links to storage
and more as needed.
If you want an even more mobile solution, it's worth considering
on-set iPad delivery, which allows you to share footage around the
set immediately after it's been shot. With a local server and mini
Wi-Fi setup, you can push dailies and approvals out to iPads given
to the director, DoP, producers, lead actors, and anyone else you
need to show them to. In the spirit of collaboration, everyone can
then apply notes to the clip, which are then collated on the DIT
station for review. Because the footage is streamed, no one will be
able to move or copy it and everything's password-protected. Best
of all, you can remotely wipe the iPads at the end of the day or
set a timer for the footage to become inaccessible.
The software
The software that you need on set is dictated by what you want to
achieve. If all you need to do is keep your insurers happy with
plenty of offsite backups, you've got several options. There's
PresSTORE, which lets you copy to two tapes simultaneously; simple
but reassuring Shotput Pro, which stops you deleting uncopied
files; or XDCAM Pilot, which lets you manage the metadata
associated with XDCAM footage wirelessly.
However, if you're tied into post-production and need to produce
preliminary cuts and grades, we can build you a station with enough
power to support software as robust as the DaVinci Resolve grading
system, REDCINE-X PRO and The Foundry's newly-released VFX workflow
design tool, Heiro, meaning you can begin planning your post
decisions the second your footage is shot.
Want to know more about creating the perfect DIT
station? Give us a call on 03332 409 306 or email broadcast@Jigsaw24.com. You can also keep up
with the latest news and offers by following us on Twitter @JigsawVideo or 'Like'-ing our Jigsaw Video Facebook
page.